rybu's blog

The most frequently asked question I get after a presentation in seminars is "how did you draw those pictures?"

For example, the main image in this slide

One of the things I find pretty neat about the splicing operad is how much goes into it. It's a relatively complicated structure and I'm a little surprised there aren't many similar, related structures in the literature.

Shortly after arriving as a postdoc at the University of Rochester I started getting results on the global topology of spaces of knots. This was, in a sense, the first topic I had wanted to work on for my dissertation. But I got stuck, and my Ph.D evolved to a different topic. At Rochester, sparked by Fred Cohen's curiosity, the project regained momentum.

One afternoon I was sitting around with Paolo Salvatore, trying to prove that an operad of little cubes had no hope of acting on spaces of string links. I was certain the operad couldn't act and kept on insisting on it. Eventually Paolo came up with a proof. This post is about Paolo's idea.

My take, written up here.

Towards the end of June the University of Brisbane is hosting a conference on a subject which as the quote above suggests, is something of a barren landscape scattered with unsavory characters.

IPMU (the Institute for the Physics and Mathematics of the Universe) officially opened its new building this week. Ben Burton and I were in Tokyo visiting and I took some photos.

Back when I was a grad student, the Lawrence-Krammer representations of the braid groups were a relatively new thing.

The creative process for papers has always been murky to me. I rarely set out to write a particular type of paper. Quite often results appear as by-products of computations I'm working on for some other reason.

Some nice news -- Antoni Kosinski's Differential Manifolds book has been Dovered. The review on Amazon is pretty honest in that it's a book that's not without its problems. I don't know if it's me, but that just makes the book more readable. I've always had trouble reading Milnor's books because there aren't enough errors to keep me entertained. I like books to present the big idea, give me a few clues and then let me work out the details.